Long Shadows
Long shadows in a painting tell part of the story depicted in the painting. However the shadows have to be consistent, accurate and convincing.
Long shadows in a painting tell part of the story depicted in the painting. However the shadows have to be consistent, accurate and convincing.
There are about 1000 different types of wattle native to Australia. I suspect most would make for great painting subjects.
I have used the same china teapot in many of my still life paintings over the years. It has been with me on my journey of discovery in this medium.
Fences and gates give us a small corner of tranquillity in a troubled world. These painting try to capture the peace of that secluded bower.
Farm scenes lend themselves to paintings. Any collection of sheds, trees, machinery and animals is interesting. Just find the right angle and a painting appears.
There is something magical about the way dappled light dances through the leaves and casts patterns underneath that makes it a joy to paint.
Blue and purple flowers are featured in this still life post. I grow many of these flowers for my paintings or garner them from neighbouring streets.
Old Queensland houses have plenty of character and that is what I have tried to capture in this series of paintings.
Queensland landscapes vary from place to place with the many different parts of our celebrated country. However it’s all exciting, every bit!
Lemons have been used in still life paintings for hundreds of years. I have followed suit because the yellow of lemons compliments my blues.